On Tuesday, January 26 from 12-1pm the Visual Arts presents: UX Now and in the Future. A free panel discussion on current UX themes, and the future of the industry.
- What is it and how can you use it?
- Enabling habit formation
- Application to business settings
- Design Ethics – responsibility when creating addictive systems
The Future of UX Design: Non-Visual UI, AR, VR and VUI
- What is their current state?
- Where are they going?
- How to crack the code of design prompts that are non-visual
Moderator: Scott Hutchinson
Scott Hutchinson is the Program Director of the Visual Arts at UCLA Extension. Currently he is organizing TEDxUCLA.
More about Scott: I work for the design, studio, photography and art history programs at UCLA Extension, in addition to consulting and teaching in the area of commercial design. My training is as a designer, with a BA and MFA from UCLA’s Design Media Arts program, and I specialize in identity work for a variety of non-profits, mainly in branding, identity systems, social media and web development. Board activity includes National AIGA Design Educators Committee, AIGA Los Angeles Education advisor, United Designs, UCLA Volunteer Center, and sustainability committees on campus, UCLA Extension, and the Green Observers Foundation. Speaker at a variety of conferences on design, visual literacy, semiotics, and social media.
Panelist: Thomas Dillmann
User experience architect with 15 years practical application in user experience and information architecture. His focus is on creating useful products and enjoyable site experiences. He has held positions as head of experience planning and lead information architect at interactive agencies and new technology ventures such as MRM Worldwide, UnitedFuture, and Threshold Interactive. Thomas has provided substantial user experience architecture for clients such as Harbor Freight Tools, SDCVB, HollandAmerica, Alpine, State of Washington, SAP, Autodesk, Microsoft, GM, Red Lion, Sony, MPAA, FOX, NBC, ABC, and Playboy. Thomas has participated in several early start ventures focused in on-demand video over IP for Hilton, LodgeNet, RespondTV and FasTV. Thomas holds a BA from UCSB and a MBA from Pepperdine University.
Panelist: Michelle Matthews
UX and product design leader with 10 years of experience designing mobile and responsive experiences. She is currently Head of Product Design at Hatch, designing solutions to improve sleep for families. Previously she led design for the health subsidiary of Headspace, one of the world’s leading mindfulness apps. She has also served as the Head of User Experience at Soothe (on-demand home massages), introducing the company to the practice of design research and user-centered design. Before that she was notably the UX Lead at Heal (on-demand doctor home visits) and for the award-winning fitness app, Studio Tone It Up. She has also spent many years working at award-winning agencies, designing experiences for clients such as Lexus, Gerber and Purina. She uses her behavior change and motivational therapy skills acquired as a therapist and social worker to design truly human-centered, intuitive experiences with empathy.
On Tuesday, August 4 at 12pm we will present the next installment in our Distinguished Instructor Series
STROKE OF CHANCE: Wisdom of the Brush in the New Normal
In Chinese Brush Painting, the first stroke is a “happening.” The rest are a series of adjustments building upon previous ones. In life, as in art, our foundation and mastery prepare us to take full advantage when the “happening” occurs. The global pandemic put our foundations to the test. Are we poised to take on the new normal? Brush master Mayee Futterman shares lessons from her lifetime practice with the brush: how the teachings, tools, skills, methodology, and mindset prepare one to embrace uncertainty and go beyond with resilience, agility, imagination, and spontaneity. The one hour live-on-line seminar and hands-on demonstration will focus on these themes:
- Four Treasures: dynamic interaction and integration
- Four Gentlemen: ABCs and virtues
- Four Movements: composition and experience
- Four I’s for the New Normal
Mayee Futterman specializes in Chinese Brush Painting. It is the foundation of all oriental brush arts and has strongly influenced Western painting. The dynamic, unpredictable, and sensorial interaction of brush, ink, water, and rice paper through the artist’s hand is indeed a transformative and enlightening experience. Mayee’s teaching is strongly founded on classical Chinese brush painting skills, techniques, philosophy, and subject matter; while bringing a contemporary approach, influences from her multi-cultural experience, and a rigor and aesthetic sensibility from her architecture and urban design background.
A large selection of Mayee’s work is in the collection of California Hospital Medical Center and permanently exhibited at the Los Angeles Center for Women’s Health. Her award winning work is also in private collections in the US, Canada, Middle East, Singapore, and Philippines. Mayee studied and trained under professor and master brush artist, Dr. Ning Yeh at UCLA, Coastline College, and Cerritos College. They have co-authored five instructional art books. Mayee has a Master of Architecture II from UCLA and a Bachelor of Science in Architecture, Cum Laude from the University of the Philippines. To view Mayee’s work, visit www.mayeefutterman.com and www.saatchiart.com/mayeefutterman . Follow her on Instagram @mayeefutterman.
Check out this Design IV: Capstone final project, BubbleBox by Grace Lee, Gozde Onaran, and Hsuan Chu. Excellent work!
Tell us about how you got interested in user experience design and what brought you to the UX Certificate.
I am always interested in design, especially digital product design. However, I found that creative work is usually subjective, meaning that it always partly depends on each person’s experience and perspective and it is not easy to achieve the best design solution.
After reading about the UX design certificate of UCLA Extension, I know right away that this is what I was looking for and I wanted to learn in more detail to develop and enhance my design capability. I gained not only visual problem-solving skills but also research and analytical skills to validate my work.
What’s something about UX design that beginning students might not realize?
I notice that most people usually focus on qualitative data such as user interviews or user testing and overlook the importance of quantitative data. Both types of data could complement each other and lead to a more preferable design solution.
Knowing the limitation of the technology is also important. It is very beneficial to know some basic coding skills to know what is feasible and to be able to communicate with the web development team.
What was your favorite course and why?
I enjoyed studying many courses here, however, User Experience II: Iteration is my favorite course. I had a chance to learn about service design which is challenging and enjoyable. I learned to look beyond the computer or mobile screens and was able to pay more attention to the end-to-end experience for a business.
Students also had a chance to work together as a team which was a valuable experience because people from different countries and different backgrounds can exchange views and experience with each other.
If the phone rang right now and somebody offered you your dream job, who are they, and what’s the job?
A company that provides digital product design service such as an application or website design which focuses mainly on creating the best experience for their users both visually and usability and work closely with the clients and their users for the best design outcomes.
Where do you see yourself professionally in 5 years?
My goal in 5 years is to be a well known senior UX designer in an agency or a tech company. I also have a strong passion for teaching, so I also would like to teach design or other subjects as much as I can and hopefully have my own academic institution one day.
Congratulations to instructor Dahn Hiuni, whose play Sick will be read on Sunday, 6/21 at 4pm as part of One City One Pride West Hollywood Arts Festival. Reservations may be made up to 24 hours before the event at firstname.lastname@example.org.
It’s 1972. Aversion therapy survivor Ron Gold’s growing resolve to remove homosexuality from the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders puts him on a collision course with the psychiatric establishment.
With humor and poignancy, early 70s music, and the ghost of Freud himself, SICK recounts a pivotal moment in gay history and affirms the power of the individual in the struggle for human rights.
Cullen Arbaugh, Carrie Lynn Certa, Frank Crim, Bill Dyer,
Peter Levine, David Pevsner, Lew Temple & Nathan Tylutki
Join us for a free information session about the Design Communication Arts, User Experience and Visual Arts Programs. Learn about career pathways and creative outlets and meet a few of the people involved with the programs.
Tuesday, June 16th
Tell us how you got interested in design and what brought you to the DCA program.
I first dabbled in design when I discovered Photoshop in high school. Back then, I was interested in drawing and design but didn’t really consider making a career out of it. I went on to study Law and Business for my Bachelor’s degree—a total 180, I know. After I graduated, one thing I knew for SURE was that practicing law was not for me.
I explored the idea of working in branding/graphic design, but realized I didn’t have the right education and experience for it. That’s when I decided to attend the DCA program—with the goal of brushing up my technical and conceptual skills, and building a strong design portfolio.
What were your favorite courses and why?
Hmm there were so many! Off the top of my head, I really enjoyed Photoshop I with Hakon Engvig, Design II: Collateral Communication with Henry Mateo, Graphic Design Career Launch Pad with Pash, and ALL of John Beach’s classes.
If I had to pick one, it would be Design II: Collateral Communication because it was so challenging yet rewarding. The class was hands-on, practical and well structured. Henry helped push my logo, brand identity, and package design skills to the next level. I left the class with 2 solid portfolio pieces that I was proud of. The icing on the cake was being able to present our work to critics at an actual design office (for us it was at BMW Designworks). Thank you, Henry (and all my instructors), for inspiring me and getting me to where I am now.
If the phone rang right now and somebody offered you your dream design job, who are they, where do they work, and what’s the job?
I’m currently a senior designer at a creative agency called Wondros, and this wouldn’t have been possible had I not attended the DCA program. I’m also really interested in branding and brand building. So my dream job would be to work at well-established brand consultancy and design firms like Pentagram, Collins, or Wolff Olins.
Where do you see yourself professionally in 5 years?
In 5 years, my goal is to become a Creative Director—either at an agency or in-house at a company that values innovation, creativity and design.
Great work, Kevin! We are wishing you every success.
You can contact Kevin at email@example.com.
Check out this amazing student work from instructor David Dodds’s Motion Graphics III course this winter, the most advanced class in our 3-part Motion Graphics sequence: